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Sacramento Baroque Soloists

notes
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  1. 1
    Angelus ad Virginum 2:23
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  2. 2
    Wassail, Wassail/The Wassail Song 1:40
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  3. 3
    Whence Comes This Rush of Wings 0:47
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  4. 4
    Lo How a Rose 3:32
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    Lo How a Rose

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  5. 5
    The Holly and the Ivy/Bring a Torch, Jeannette Isabella 7:50
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    The Holly and the Ivy/Bring a Torch, Jeannette Isabella

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  6. 6
    Joy to the World/Deck the Halls/We Wish You a Merry Christmas 3:56
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    Joy to the World/Deck the Halls/We Wish You a Merry Christmas

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  7. 7
    Patapan/Good King Wenceslas/God Rest Ye Merry Gentlemen 8:30
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    Patapan/Good King Wenceslas/God Rest Ye Merry Gentlemen

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  8. 8
    Good Christian Men Rejoice/I Saw Three Ships 4:30
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    Good Christian Men Rejoice/I Saw Three Ships

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  9. 9
    12 Days of Christmas 3:56
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    12 Days of Christmas

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  10. 10
    Angels We Have Heard on High/Ding Dong Merrily on High 3:43
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    Angels We Have Heard on High/Ding Dong Merrily on High

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  11. 11
    Schutz- "The Angel", Lisa Marie Lawson, soprano, Dec. 6, 2009 3:33
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  12. 12
    Purcell: Suite From Abdelazer's Feast - I Overture 3:29
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  13. 13
    Purcell: Suite From Abdelazer's Feast - II Rondeau 2:12
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  14. 14
    Purcell: Suite From Abdelazer's Feast - III Air 1:21
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  15. 15
    Purcell: Suite From Abdelazer's Feast - IV Air 1:48
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  16. 16
    Purcell: Suite From Abdelazer's Feast - V Minuet 0:57
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  17. 17
    Purcell: Suite From Abdelazer's Feast - VI Air 1:22
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  18. 18
    Purcell: Suite From Abdelazer's Feast - VII Jig 0:31
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  19. 19
    Purcell: Suite From Abdelazer's Feast - VIII Hornpipe 0:50
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  20. 20
    Purcell: Suite From Abdelazer's Feast - IX Air 1:28
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Alexandra Roedder, cello

Alexandra Roedder began cello at the age of seven with Nina Flyer, and continued her early studies with Irene Sharp, Bonnie Hampton and, at UC Berkeley, with Leighton Fong. She began baroque cello studies at Berkeley with Elisabeth Reed, and obtained her performance degree from the Royal Conservatory of the Hague under the tutelage of Lucia Swarts and Jaap ter Linden. She has studied and worked with some of early music’s finest musicians, including Anner Bylsma, Elizabeth Wallfisch, Barthold Kuijken, and Jeffrey Thomas, among many others, and has performed in venues across Europe and America. Upon returning to the States following her tenure in Europe, she obtained a Master’s in Cello Performance from UCLA, studying under Antonio Lysy, as well as a PhD in Musicology. In recent years, she has performed with such fine California ensembles as Musica Angelica, Sacramento Baroque Soloists, and the American Bach Soloists Festival Orchestra. She and her husband run the fledgling Sierra Nevada Historical Performance, an organization dedicated to bringing “real old-timey music”—particularly music of the 17th and 18th centuries—back to the small, local venues like those in which it would have originally been heard: churches, homes, and small halls. She is a founding member of the local baroque group La Muse Amusée, and is principal cellist of both the Auburn and Folsom Symphonies. She plays on a 1743 5-string cello by Andrea Castagnieri.
 

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